Antony And The Johnsons The Lake Ep Zipper
Antony And The Johnsons The Lake Ep Zippers
Since the ascent of Antony's I Am a Bird Now, critics have progressively focused their attention on the New York City vocalist's physicality, often with weirdly aggressive cheap shots. The hook: Big guy with angel's voice. Live, wearing a black Mascis wig as camouflage, Antony does tower over his bandmates, but the body police fail to note that his physiognomy renders the gender play so much more exquisitely plaintive because, well, there just aren't many women that tall. And despite his colorful backstory, it seems time to drop the two-bit caricatures and puff pieces and return to the brilliant, unearthly voice that earned Antony his accolades in the first place-- his three most recent singles offer a good place as any to instigate a frequency shift. Functioning as Antony 101, The Lake was released three months prior to I Am a Bird Now. Adobe photoshop cs6 extended osx crack. Offering a glimpse of things to come, the cover image is a detail from Peter Hujar's 1974 photograph 'Candy Darling on Her Deathbed II'. Musically, it opens with a studio version of the title track, Antony's Edgar Allen Poe jam.