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The American Years Author: Sabine Feisst Publisher: Oxford University Press ISBN: Category: Music Page: 400 View: 5156 Arnold Schoenberg was a polarizing figure in twentieth century music, and his works and ideas have had considerable and lasting impact on Western musical life. A refugee from Nazi Europe, he spent an important part of his creative life in the United States (1933-1951), where he produced a rich variety of works and distinguished himself as an influential teacher.
However, while his European career has received much scholarly attention, surprisingly little has been written about the genesis and context of his works composed in America, his interactions with Americans and other?migr?s, and the substantial, complex, and fascinating performance and reception history of his music in this country. Author Sabine Feisst illuminates Schoenberg's legacy and sheds a corrective light on a variety of myths about his sojourn. Looking at the first American performances of his works and the dissemination of his ideas among American composers in the 1910s, 1920s and early 1930s, she convincingly debunks the myths surrounding Schoenberg's alleged isolation in the US. Whereas most previous accounts of his time in the US have portrayed him as unwilling to adapt to American culture, this book presents a more nuanced picture, revealing a Schoenberg who came to terms with his various national identities in his life and work. Feisst dispels lingering negative impressions about Schoenberg's teaching style by focusing on his methods themselves as well as on his powerful influence on such well-known students as John Cage, Lou Harrison, and Dika Newlin. Schoenberg's influence is not limited to those who followed immediately in his footsteps-a wide range of composers, from Stravinsky adherents to experimentalists to jazz and film composers, were equally indebted to Schoenberg, as were key figures in music theory like Milton Babbitt and David Lewin. In sum, Schoenberg's New World contributes to a new understanding of one of the most important pioneers of musical modernism.
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Author: Tom Huhn Publisher: Cambridge University Press ISBN: Category: Philosophy Page: N.A View: 6833 The great German philosopher and aesthetic theorist Theodor Wiesengrund Adorno (1903–69) was one of the main philosophers of the first generation of the Frankfurt School of critical theory. An accomplished musician, Adorno first focused on the theory of culture and art. Later he turned to the problem of the self-defeating dialectic of modern reason and freedom. In this collection of essays, imbued with the most up-to-date research, a distinguished roster of Adorno specialists explore the full range of his contributions to philosophy, history, music theory, aesthetics and sociology. New readers will find this the most convenient and accessible guide to Adorno currently available. Advanced students and specialists will find a conspectus of recent developments in the interpretation of Adorno. Author: Mark Roncace,Patrick Gray Publisher: Society of Biblical Lit ISBN: Category: Education Page: 402 View: 6127 This resource enables biblical studies instructors to facilitate engaging classroom experiences by drawing on the arts and popular culture.
It offers brief overviews of hundreds of easily accessible examples of art, film, literature, music, and other media and outlines strategies for incorporating them effectively and concisely in the classroom. Although designed primarily for college and seminary courses on the Bible, the ideas can easily be adapted for classes such as “Theology and Literature” or “Religion and Art” as well as for nonacademic settings. This compilation is an invaluable resource for anyone who teaches the Bible. Central European Intellectual Immigration to America in the Age of Fascism Author: Richard Bodek,Simon Lewis Publisher: N.A ISBN: N.A Category: History Page: 230 View: 7885 The Fruits of Exile casts new light on the history of Jewish A(c)migrA(c) thinkers escaping from the rise of fascism in Central Europe. Editors Richard Bodek and Simon Lewis, along with an international group of contributors, emphasize the contributions to American and British culture by the European intellectual diaspora of the 1930s through their careful study of artists, scientists, and cultural figures often ignored in previous studies of the era.
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