Mike Oldfield Crises Zip
Crises is the eighth record album by Mike Oldfield, released in 1983 on Virgin Records. Oldfield's well known hits ' Moonlight Shadow ' and ' Shadow on the Wall ' appear on the album. Info for Crises (Super Deluxe Edition). In 1983, Mike Oldfield released one of his most commercially successful albums, Crises, which featured the huge hit single `Moonlight Shadow' and featured guest vocal appearances from Maggie Reilly, Jon Anderson and Roger Chapman.
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Album review by Neil Hobkirk I remember my first proper sound system, purchased during high school in 1984: Harmon/Kardon HK330I receiver; JBL J216A speakers; and Dual turntable, model number unknown. And of course I remember the first pieces of vinyl I fed it.
Among them: ’s Discovery, released that year. Local college radio spun the record in its entirety at least once, when it luckily caught my adolescent ear. Struck by the strangely proportioned contents, where pop rock songs cohabited space with a twelve-minute instrumental tone poem, I purchased Discovery and soon picked up its predecessors Five Miles Out (1982) and Crises (1983). Both records mark an even more extreme contrast between short tunes and long pieces, with the latter running as long as twenty-four minutes.
Mike Oldfield Albums
Discovery still awaits bells-and-whistles reissue treatment, but the two other titles are now nicely served with Deluxe Editions simultaneously released in 2013, Crises’ thirtieth anniversary year. In each case a first disc presents the remastered original album along with additional tracks, while a second CD selects album tracks recorded live in concert. Five Miles Out boasts a third disc, a DVD containing Oldfield’s own remix of the album in 5.1 surround sound, plus video content. I’ll limit my comments to the CDs, and not touch on the five-disc box set edition of Crises, which likewise includes Oldfield’s 5.1 album remix on DVD. On his previous two LPs, Platinum (1979) and QE2 (1980), Mike Oldfield broke with the album-length compositional template that had governed his initial four. But Five Miles Out was his first to capitalize convincingly on tension between short pop tunes and long tone poems. The twenty-four minute opener “Taurus II” continues thematic material from QE2’s “Taurus I.” Like the album’s other tracks, “Taurus II” fuses acoustic and electric instruments with electronically sampled instruments and sounds courtesy of the nascent sampling technology of the Fairlight CMI (Computer Musical Instrument).